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Designs in the story 'The Handmaids Tale'

 Essay about Themes in the novel ’The Handmaids Tale’

Gilead takes environmental control to a extreme, and controls nearly all aspects of really inhabitant's lives. The handmaids are controlled within contemporary society by means of the self worth lowering lack of knowledge, de-humanizing degradation, and the dread instilled by simply strict consequences to unlawful actions.

'Control' is a main theme over the novel -- whether it be by regimentation of life, the strict conversation laws and also the way in which people are stripped of their individuality. The complete environment in Gilead is usually carefully monitored and discovered to ensure the 'smooth' running of society. Suicides appear to be an important threat to civilization because they serve as a great 'escape route' out of the oppressive lifestyle -- therefore safeguards are taken up ensure that committing suicide never becomes an option. Offred states that 'they've removed anything you could tie a rope to' to prevent hangings there is also a which there is 'no glass' in picture casings. Razors and any other probably harmful items have been eliminated to ensure that an urge to 'escape' is never satisfied. These arrangements, although seemingly serious, were seen as necessary after many handmaids took their own lives after poor adaptation towards the new routine. Handmaids are generally not permitted to leave their very own 'home' apart from their daily walks and their shopping sessions. During these expeditions the handmaids must walk in 'twos' -- with a reflection image of themselves. It is during these types of walks we notice just how surveillance can be used as another form of control.

It is believed that anybody residing in Gilead would have no rational need to keep the state -- unless they may be trying to get away. The region are consequently heavily guarded with gun- wielding those, there is also additional precaution of the 'chain website link fence capped with barbed wire' to increase ensure that bodily escaping turns into practically impossible. To become permitted into the centre of Gilead, a great identification move is needed which can be checked at designated 'barriers' - as long as you happen to be permitted may well you enter the town hub. Failure to make the go quickly and efficiently may result in the damage or loss of life of a person, as pads often mistake people looking for their goes by as people searching for a weapon. Handmaids can also be identified by a 'small tattoo' within the ankle demonstrating 'a four digit number and a great eye - a passport'.

Gilead's govt has removed " independence to" and given " freedom from" (Atwood, 33) to the handmaids. They regulate what they may and cannot know, pushing them in ignorance, and call it freedom. Reading continues to be forbidden, and " even the names of shops had been too much enticement, [and are] known by way of a signs alone" (33). The only word that Offred is given to look at can be " FAITH in square print" (75) on a small pillow in her place. Even taking a look at this she wonders, " If [she] were found, would it count number? " (75). They are accustomed to not to be able to read, that even whenever he words and letters, they take precaution, and fear result. It was with the red centre that the handmaids are initial pumped full of the brainwashing propaganda which makes them think in this manner, " Once a week [they] had movies" (151), " old osceno films in the seventies and eighties" (152). These films are used to get them to hate the role ladies had performed " inside the days of anarchy" (33), and turn them against their past. They are powerful in this, and make girls believe that "[they] are pots, it is only the interior of [their] bodies that count" (124). Handmaids happen to be " kept on some kind of tablet or medicine, that [was] put in the food" (91), to ensure that " after a time [the unordinary] would turn into ordinary" (45), and they will have conformed towards the Gileadian life-style. Freedom of speech has also been taken away. They are really only allowed to speak in certain times with " accepted greetings [and responses]" (25) that have been devised for them. In addition , people cannot sing music " in public areas anymore" (71), especially ones that " use words...

Bibliography: twood, Margaret Eleanor. The Handmaid 's Story. New York: Randomly House Incorporation, 1998.

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